RCM Students in Aldeburgh
...It has been a wonderful experience discovering Handel’s alternative version of Acis and Galatea – a hidden gem among his repertoire. Working with Lawrence Zazzo has been inspirational; he has a contagious enthusiasm and I particularly enjoyed the coaching he gave me in baroque ornamentation... rcm.ac.uk
So thrilled to be in Aldeburgh conducting a super talented group of singers and players from the Royal College of Music. We’re performing a rarely-performed Italian-English version of Handel's Acis and Galatea, Thursday, 24 November, 6PM, in the Britten Studio at Snape Maltings.
A Midsommer Night's Dream in Beijing
Lawrence Zazzo joined the Festival d’Aix in Beijing as Oberon in Robert Carsen’s classic production of A Midsummer Night’s Dream at the Poly Theatre on 15 & 16 October, launching the Festival d’Aix’s 5-year partnership with the Beijing Music Festival. This follows his critically acclaimed portrayal of the same role at the 2015 Festival d’Aix-en-Provence.
Hoarding for "A Midsommer Night's Dream"
Lawrence Zazzo (Oberon) with Miltos Yerolemou (Puck) und Laura Claycomb (Titania)
Vocal masterclass with students at the Beijing Conservatory, hosted by KT Wong Foundation
Innsbrucker Festwochen der Alten Musik
The 40th anniversary of the founding concert was performed again at the Spanischer Saal.
...In a final three Handel arias (from "Giulio Cesare "and" Lothario "), with Beyer and Fontana ‘singing’ along on violin and harpsichord, Zazzo, with agility and evenly-balanced tone, ended the evening in vocal splendor.” ... DiePresse.com
Charlotte Symphony blasts Orff (that’s a good thing) with Klara Ek, Lawrence Zazzo and Javier Arrey, Music director Christopher Warren-Green
... Countertenor Lawrence Zazzo made an amusing entrance as the roasting swan, contemplating his own demise by wringing a huge white handkerchief...
The Charlotte Observer on 12 May 2016
...Delaying his entrance onto the Belk Theater until this song began, countertenor Lawrence Zazzo literally made a meal out of it. Emitting a high-pitched lament bordering on sobs, Zazzo compounded the weirdness of his torment in way I would never have anticipated. As he reached the song’s final stanza, beginning “Now I am lying in a serving dish,” he pulled out a large handkerchief. Instead of dabbing his wounds or his tears, he stuffed the handkerchief into his shirt collar, turning it into a napkin. Then he reached into another pocket, fetched out what must have been a succulent duck leg, and began munching on it contentedly as he made his exit...
By the way, it was local Charlotte favourite Bojangles fried chicken not roast duck!
Recording of SWR2 Oper on 1 Mai 2016,
Schwetzinger SWR Festspiele 2016
Click to listen
Partenope tour around Europe
Lawrence Zazzo, Karina Gauvin, John Mark Ainsley, Kate Aldrich, Emöke Barath, Victor Sicard
Il Pomo d’Oro
Maxim Emelyanychev, conductor
Read critical acclaim for Lawrence's appearance in Partenope on our Press page.
Due to the sad death of Philippe Jaroussky's father he's had to cancel his appearance in Handel's Partenope. Lawrence will replace him to play the role of Arsace.
My condolences and thoughts are with Philippe and his family at this difficult time.
THE FAIRY QUEEN by Henry Purcell. Semi-Opera. Joyful and very Britsh
at Berliner Philharmonie with RIAS Kammerchor and Akademie fuer Alte Musik,
Conductur Rinaldo Alessandrini
Roderick Williams, Lawrence Zazzo(c) RIAS Kammerchor, Photographer Kai Bienert
<<Click here>>to listen to Lawrence singing "Secrecy"
Lawrence debuts as Orlando with the Welsh National Opera
Interview with Lawrence on Bachtrack
Lawrence Zazzo’s Orlando cuts a striking figure. He projects his substantial but agile countertenor to good effect, often with touching expressiveness...
“Lawrence Zazzo, that most manly and forthright of counter-tenors, as a handsome Orlando whose insanity was expressed with graphic and moving power.”
“In the title role, Lawrence Zazzo’s rich countertenor turned from biting fury to melting beauty with ease…his portrayal of Orlando’s madness was one of enormous power.”
Orlando is played with fierce commitment and drive by American counter-tenor Lawrence Zazzo. Mr Zazzo has a voice of ethereal beauty which is a gift from God rather than the result of any Senesino-style torture. His singing throughout was masterful...
Lawrence Zazzo as Orlando plunges from despair to rage and, finally, madness as he pins his hopes on a doomed love match, with unnerving precision and depth, his stiller and legato moments all the more sublime for this
The public reviews
Lawrence has just finished a dreamy anniversary revival of Robert Carsen’s iconic production of Britten’s A Midsummer Night’s Dream in Aix en Provence
“Reigning over the fairies are Oberon and Tytania, Lawrence Zazzo and Sandrine Piau, stylish and elegant but also rakish and manipulative. Their elegiac musicality also doubles as a playful game, joined by the rest of the singers to form a coherent and exciting whole” La Croix
“American countertenor Lawrence Zazzo boasts a male coloured alto voice that he used to musical perfection” Opera Today
Those who missed it in Aix can watch a filmed performance online at
YouTube channel Culturbox - English
Watch Lawrence performing Oberon’s aria “I know a bank’
Semele, Brooklyn Academy of Music, with Christopher Moulds and the orchestra of the Canadian Opera Company, March 2015
St. John Passion, Chicago Bach Project, with John Nelson, March 2015
“Countertenor Lawrence Zazzo’s inward rendering of “Es ist vollbracht!” was the vocal highlight of the evening, aided by equally sensitive obbligato support by Craig Trompeter on viola de gamba” Chicago Classical Review.
I was delighted to finally make my Concertgebouw debut last weekend, in a semi-staged concert version of Giulio Cesare, directed by Michael Chance, and led by Rebecca Huber and Sinfonie Atlantique, along with the wonderful Anna Christy, Patricia Bardon, and Tania Kross, with impressive role debuts by Abi Edward Grint, and Li Meili
You can listen to the broadcast from the Concertgebouw here:
"Lawrence Zazzo came, sang, and conquered" Bachtrack.com
A Royal Trio has been selected as Gramophone’s Editors Choice for November:
“Zazzo’s limpid delicacy, and control of nuance within a long-spun line, is as impressive as his bravura exuberance...A nature theatre animal, Zazzo ‘lives’ each phrase, always alive to the sound and meaning of the words...Zazzo and the players—not least the fabulous horns—have all the boldness and virtuoso panache one could wish for in the extrovert arias, culminating in a show-stopping ‘Vivi tiranno’.” Richard Wigmore, Gramophone, November 2014
“the exuberant Vivi, tiranno rounds things off in style,
with Zazzo in glorious voice throughout” Nicholas Kenyon, The Guardian
“genius” The Whole Note, November 2014
Read Lawrence’s interview about A Royal Trio with Presto Classical HERE
A Royal Trio
Lawrence’s new solo CD, A Royal Trio, has now been released been released to critical acclaim:
“exceptionally well thought out...the exuberant Vivi tiranno rounds things off in style, with Zazzo in glorious voice throughout ****” The Guardian
Click here to order from Amazon
La Nuova Musica
Conductor David Bates of La Nuova Music and I were delighted by the audience response to our current project, “A Royal Trio”, which celebrates the music not only of Handel, but Bononcini and Ariosti, the trio of composers hired to write operas for the Royal Academy in 1720s London. You can learn more about our project in the reviews and blogs below from the 13 December concert and discussion at the Spitalfields Festival in London:
The Guardian - La Nuova Musica / Bates / Zazzo - Review
Bach Track - Handel and his contemporaries with Lawrence Zazzo and La Nuova Musica in Spitalfields
Planet Hugill - Lawrence Zazzo and La Nuova Musica in arias by Handel, Bononcini and Ariosti
Lawrence's recent appearance as Orfeo at the Norwegian State Opera
Lawrence is pleased to announce the release of two recordings:
On Virgin Classics, a DVD of Laurent Pelly’s production of Giulio Cesare at the Opera de Paris, 2010:
Buy from Amazon
"Lawrence Zazzo's outstandingly imperious title-hero is the best sung and acted countertenor performance of the part I've encountered." (Gramophone, December 2012)
On Pan Classics, a live CD recording Handel’s Alessandro at the Haendel Festspiele, Karlsruhe:
Pre-order from Presto Classical
Photos from Lawrence's recent appearance as Oberon in Britten’s A Midsummer Night’s Dream at the Teatro all’ Opera di Roma
Lawrence will sing Apollo on a new recording of Mozart’s first opera, Apollo et Hyacinthus, to be released May 14 on Linn Records, in conjunction with a Gala performance at Cadogan Hall, London, at 7:30 PM
For more information, see the Classical Opera Company website: http://www.classicalopera.co.uk/apollo-et-hyacinthus/
Apollo et Hyacinthus - a preview from TallWall Media on Vimeo.
Apollo et Hyacinthus - recording Mozart's first opera from TallWall Media on Vimeo.
Critics Praise Lawrence’s recent appearance in the title role of Alessandro at the Haendel Festspiele, Karlsruhe
"dem virilen Countertenor Lawrence Zazzo in der Titelrolle alle Arten von Bravour und Empfindung, Leuchtkraft und Brillanz" Salzburger Nachrichten
"ein technisch souveräner Countertenor, der in seinen sieben Arien eine Enorme Differenzierungsfähigkeit und Ausdruckstärke beweist" Stuttgarter Zeitung
"Es ist beeindruckend, wenn der amerikanische Countertenor in den Basstönen seine volle Bruststimme erklingen lässt, um sich von dort aus mit viel Energie in Althöhen zu katapultieren" Mannheimer Morgen
"In der Titelrolle glänzte der amerikanische Countertenor Lawrence Zazzo durch virtuose Brillanz und Beweglichkeit in den Zierfiguren sowie durch eine hoch kultivierte Gesangskunst." Rheinpfalz
Alessandro at the Haendel Festspiele